Difference between revisions of "Breaking Beckett"

From Austin Improv Community Wiki
m (name change)
 
(20 intermediate revisions by 4 users not shown)
Line 3: Line 3:
|Picture= Breaking Beckett Poster Ryan.png
|Picture= Breaking Beckett Poster Ryan.png
|Theater= [[The Institution Theater]]
|Theater= [[The Institution Theater]]
|Director = [[Bob Olmstead]]
|Director = [[Bobby Ford]]
|Cast = {{Unbulleted list | [[Ryan Hill]] | [[Marc Majcher]] | [[Jayme Ramsey]]}}
|Cast = {{Unbulleted list | [[Ryan Hill]] | [[Marc Majcher]] | [[Jayme Ramsey]]}}
|Tech  = [[Mark Shoemaker]]
|Tech  = [[Mark Shoemaker]]
|Music = [[Content Knowles]]
|Music = [[Content Love Knowles]]
|Preview = January 2014
|Preview = January 2014
|Run = Mar 2014
|Run = Mar 2014
}}
}}


'''''Breaking Becket''''' was a longform narrative show inspired by the works of [[wikipedia:Samuel Beckett|Beckett]].
'''''Breaking Becket''''' is a longform narrative show inspired by the works of [[wikipedia:Samuel Beckett|Samuel Beckett]].


== Summary ==
== Summary ==


The show is a somewhat abstract longform piece, mixing the styles of the Beckett plays ''Quad,'' ''Play,'' and ''Not I'' with scripted narrated transitions by the director playing Beckett himself. The rest of the dialog is improvised. The movement was created by the ensemble in rehearsals.
Breaking Beckett examines the moments we tend to not share: moments of heartbreak or overwhelming despair, childhood innocence lost, the shame of our most serious mistakes, all filtered through the work of Samuel Beckett. Inspired by but not beholden to the author’s absurdist one-act plays, the actors will adhere to the choreography of the pieces while following their own improvised storylines. This will both honor the playwright and sacrilegiously go against his scripted wishes, for a unique exploration of the light and dark edges of human experience that will only ever be witnessed by that night’s audience.


The production includes projected backdrops, costuming, and theatrical makeup as well as light and sound cues.
The production includes projected backdrops, costuming, and theatrical makeup as well as light and sound cues.
Line 23: Line 23:
The show opens with the cast already seated on stage in 'stasis' as they have been since the opening of the house.
The show opens with the cast already seated on stage in 'stasis' as they have been since the opening of the house.


=== Act I: Quad ===
=== Act I: Walls as inspired by Quad 1 and 2 ===


The first act begins with Beckett narrating broadly, awakening the cast from stasis, and the cast beginning a rhythmic movement pattern. Beckett takes a suggestion of a name and age. The rhythmic movement continues and is broken for a monologue from the protagonist describing the facts of their life. We return to the rhythmic movement which is again broken for parallel monologues by the supporting characters, an enemy and advocate for the protagonist. The movement returns again, and we see the protagonist's death.
The first act begins with Beckett narrating broadly, awakening the cast from stasis, and the cast beginning a rhythmic movement pattern. Beckett takes a suggestion of a name and age. The rhythmic movement continues and is broken for a monologue from the protagonist describing the facts of their life. We return to the rhythmic movement which is again broken for parallel monologues by the supporting characters, an antagonist and an advocate for the protagonist. The movements repeat one more time, wherein soon after we see the protagonist's death.


=== Act II: Play ===
=== Act II: Windows as inspired by Play ===


The second act begins with Beckett narrating and moving the cast into ''Play'' position, seated side by side. He "conducts" them into three parallel monologues describing the protagonist's life from their three different points of view after death. The lights black out and return. The three parallel monologues continue in a more reflective, detached tone.
The second act begins with Sam narrating and moving the cast into ''Play'' position, seated side by side, a new act with a new look. Three parallel monologues that explore life after death, the same three characters from Act One, is the basis of Act Two. As well, the Beckett mechanics differ significantly then those in Act One.


=== Act III: Not I ===
=== Act III: Doorways as inspired by Not, I ===


The third act begins with Beckett standing and the cast removing their costume scarves and moving to the front of the stage. Beckett narrates and a tight spot settles on each actor in turn. They identify themselves by their real (actor's) names and monologue on their personal experience with the subject matter of the show and their reactions to it. The act ends with the cast and director all standing together center stage with music and the lights slowly fading.
The third act begins with Sam standing and removing his scarf, the cast follows removing their costume scarves and moving to the front of the stage. One by one, director to actor, we seem them in a whole new light, transparent and vulnerable, a very unique tilt that shatters the fourth wall. As well, all of Act Three is spot lit.


== History ==
== History ==


'''''Breaking Beckett''''' is the brainchild of [[Bob Olmstead]]. He approached [[Ryan Hill]], [[Marc Majcher]], and [[Jayme Ramsey]] about it and began rehearsals without knowing where the show would happen. Rehearsals lasted several months at the end of 2013. The show developed collaboratively during that time with leadership from Olmstead. Olmstead consulted with [[Kareem Badr]] and [[Kaci Danger]] about show structure, makeup, design, etc.
'''''Breaking Beckett''''' is the brainchild of [[Bobby Ford]]. He approached [[Ryan Hill]], [[Marc Majcher]], and [[Jayme Ramsey]] about it and began rehearsals without even knowing where their show might play. Rehearsals, covering some thirty hours of work, lasted several months at the end of 2013. Ford developed the core show format after the first rehearsal, turning the idea into a full length play. Over a period of three months, the cast then worked closely with Bob on locking down all of the detailed mechanics necessary to bring this vision to life.  


Eventually [[Asaf Ronen]], Education Director of [[The Institution Theater]], and a Beckett enthusiast, agreed to put up the show. A preview show took place on January 15, 2014 and two more shows are planned for March 2014 at [[The Institution Theater]]. A longer run for later in the year at another theater is in the works.
 
The robust collaboration process with the cast was comprehensive, constantly fine tuning elements that Ford would then incorporate into the overall vision. For example, the idea of the protagonist wearing a scarf came from the cast but then evolved multiple times into its current staging, the result of a back and forth between director and the cast, a great example of the kind of collaboration involved in developing the show. Another example is the stomp mechanics, which Ford had some very specific ideas about. Marc Majcher helped to refine the idea into key Act One transitions while Ryan Hill came up with the idea of using the three stomp pattern for all transitions. In watching Jayme Ramsey's amazing physicality, it hit Bob that the stomping in Act One was a march of daily drudgery and routine, which deeply informed how Act One plays out to the audience. The result is the look and feel that you see today, in Act One.
 
 
At the core of the show was a mantra taken directly from a Beckett quote, '''"I pause to record that I feel in extraordinary form."'''
 
 
Bob also consulted with [[Kareem Badr]] and [[Kaci Danger]] about show structure, makeup, design, narration and more, which played a very key role in the polish of the show. Eventually [[Asaf Ronen]], Education Director of [[The Institution Theater]], and a Beckett enthusiast, agreed to put up the show, helping Bob nail down the last few elements of lighting. A preview show took place on January 24, 2014 and two more shows are planned for March 2014 at [[The Institution Theater]]. A longer run for later in the year at another theater is in the works.


==Media==
==Media==
=== Videos ===
=== Videos ===
* 1/24/14 preview performance: [http://vimeo.com/85125217].
* [http://vimeo.com/85125217 Video] of the 1/24/14 preview performance.
* [http://vimeo.com/89248397 Video] of their second show.
* [http://vimeo.com/90428432 Video] of their second show.
* [http://vimeo.com/91778245 Video] of their show in [[The 2014 Improvised Play Festival]].


=== Photos ===
=== Photos ===
* 1/24/14 preview performance: [http://controlimages.zenfolio.com/breaking_beckett_reginald_39] by [[Roy Moore]], Control Images.
* [http://controlimages.zenfolio.com/breaking_beckett_reginald_39 Photoset] by [[Roy Moore]] (Control Images) of the 1/24/14 preview performance.
* 1/24/14 preview performance: [https://www.facebook.com/Heidi.N.Rogers/media_set?set=a.10104172328452210.1073741850.7909117&type=3] by [[Heidi Rogers]].
** [http://www.facebook.com/media/set/?set=a.598323030236380.1073741866.118587218209966&type=1 The same set, on facebook.]
** [https://www.facebook.com/Heidi.N.Rogers/media_set?set=a.10104172328452210.1073741850.7909117&type=3 Photoset] by [[Heidi Rogers]] of the same show.
* [http://www.facebook.com/media/set/?set=a.598323030236380.1073741866.118587218209966&type=3 Photoset] by [[Roy Moore]] of the 1/25/14 show.
* [http://www.facebook.com/warren.henderson.946/media_set?set=a.800187246678429.1073741866.100000614831752&type=3 Photoset] by [[Warren Henderson]] that includes the 3/14/14 show.
* [http://www.facebook.com/media/set/?set=a.707481239315395.1073741978.221927764537414&type=3 Photoset] by [[Steve Rogers]] of the 3/28/14 show.
** [http://www.facebook.com/Heidi.N.Rogers/media_set?set=a.10103380530371910.1073741835.7909117&type=3 Photoset] by [[Heidi Rogers]] of the same show.
* [http://www.facebook.com/michael.yew/media_set?set=a.10201681256095924.1073741885.1315383518&type=3 Photoset] by [[Michael Yew]] that includes their 4/11/14 performance in [[The Improvised Play Festival]].


== More Information ==
== More Information ==
* The show's Facebook page: [https://www.facebook.com/BreakingBeckett]
* [http://www.facebook.com/BreakingBeckett The show's Facebook page].
* [http://www.austinchronicle.com/daily/arts/2014-07-18/improv-tragedy-absurdity-wtf-institution-theatre/ Article about the show] by [[Wayne Allen Brenner]] for ''The Austin Chronicle''.


[[Category:Shows]]
[[Category:The Institution Theater]]
[[Category:The Institution Theater]]

Latest revision as of 13:27, 24 November 2022


Breaking Beckett

Breaking Beckett Poster Ryan.png

Theater The Institution Theater
Directed by Bobby Ford
Music By Content Love Knowles
Cast
Crew Mark Shoemaker
Run Mar 2014

Breaking Becket is a longform narrative show inspired by the works of Samuel Beckett.

Summary

Breaking Beckett examines the moments we tend to not share: moments of heartbreak or overwhelming despair, childhood innocence lost, the shame of our most serious mistakes, all filtered through the work of Samuel Beckett. Inspired by but not beholden to the author’s absurdist one-act plays, the actors will adhere to the choreography of the pieces while following their own improvised storylines. This will both honor the playwright and sacrilegiously go against his scripted wishes, for a unique exploration of the light and dark edges of human experience that will only ever be witnessed by that night’s audience.

The production includes projected backdrops, costuming, and theatrical makeup as well as light and sound cues.

Show Structure

The show opens with the cast already seated on stage in 'stasis' as they have been since the opening of the house.

Act I: Walls as inspired by Quad 1 and 2

The first act begins with Beckett narrating broadly, awakening the cast from stasis, and the cast beginning a rhythmic movement pattern. Beckett takes a suggestion of a name and age. The rhythmic movement continues and is broken for a monologue from the protagonist describing the facts of their life. We return to the rhythmic movement which is again broken for parallel monologues by the supporting characters, an antagonist and an advocate for the protagonist. The movements repeat one more time, wherein soon after we see the protagonist's death.

Act II: Windows as inspired by Play

The second act begins with Sam narrating and moving the cast into Play position, seated side by side, a new act with a new look. Three parallel monologues that explore life after death, the same three characters from Act One, is the basis of Act Two. As well, the Beckett mechanics differ significantly then those in Act One.

Act III: Doorways as inspired by Not, I

The third act begins with Sam standing and removing his scarf, the cast follows removing their costume scarves and moving to the front of the stage. One by one, director to actor, we seem them in a whole new light, transparent and vulnerable, a very unique tilt that shatters the fourth wall. As well, all of Act Three is spot lit.

History

Breaking Beckett is the brainchild of Bobby Ford. He approached Ryan Hill, Marc Majcher, and Jayme Ramsey about it and began rehearsals without even knowing where their show might play. Rehearsals, covering some thirty hours of work, lasted several months at the end of 2013. Ford developed the core show format after the first rehearsal, turning the idea into a full length play. Over a period of three months, the cast then worked closely with Bob on locking down all of the detailed mechanics necessary to bring this vision to life.


The robust collaboration process with the cast was comprehensive, constantly fine tuning elements that Ford would then incorporate into the overall vision. For example, the idea of the protagonist wearing a scarf came from the cast but then evolved multiple times into its current staging, the result of a back and forth between director and the cast, a great example of the kind of collaboration involved in developing the show. Another example is the stomp mechanics, which Ford had some very specific ideas about. Marc Majcher helped to refine the idea into key Act One transitions while Ryan Hill came up with the idea of using the three stomp pattern for all transitions. In watching Jayme Ramsey's amazing physicality, it hit Bob that the stomping in Act One was a march of daily drudgery and routine, which deeply informed how Act One plays out to the audience. The result is the look and feel that you see today, in Act One.


At the core of the show was a mantra taken directly from a Beckett quote, "I pause to record that I feel in extraordinary form."


Bob also consulted with Kareem Badr and Kaci Danger about show structure, makeup, design, narration and more, which played a very key role in the polish of the show. Eventually Asaf Ronen, Education Director of The Institution Theater, and a Beckett enthusiast, agreed to put up the show, helping Bob nail down the last few elements of lighting. A preview show took place on January 24, 2014 and two more shows are planned for March 2014 at The Institution Theater. A longer run for later in the year at another theater is in the works.

Media

Videos

Photos

More Information