Difference between revisions of "Trust No One"
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'''''Trust No One''''' | '''''Trust No One''''' was a mainstage show at [[The Institution Theater]]. | ||
==Summary== | ==Summary== | ||
The show | The show was a longform narrative, dealing with conspiracies and paranoia. An audience suggestion of a single organization that secretly controls everything (usually, an entity not generally held to be sinister in nature) was used to craft an improvised play in which the shadowy dealings of this organization are discovered. | ||
===The View-Master of Providence=== | ===The View-Master of Providence=== | ||
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==Links== | ==Links== | ||
[https://www.flickr.com/photos/58011781@N00/sets/72157642005128263/ Cast photos] taken by [[Roy Moore]] | [https://www.flickr.com/photos/58011781@N00/sets/72157642005128263/ Cast photos] taken by [[Roy Moore]] | ||
[[Category:Shows|Trust]] | [[Category:Shows|Trust]] | ||
Revision as of 00:56, 4 June 2014
| Trust No One | |
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| Theater | The Institution Theater |
| Directed by | Brad Hawkins |
| Assistant Director(s) | Ryan Hill |
| Cast | |
| Crew | |
| Run | Apr/May 2014 |
Trust No One was a mainstage show at The Institution Theater.
Summary
The show was a longform narrative, dealing with conspiracies and paranoia. An audience suggestion of a single organization that secretly controls everything (usually, an entity not generally held to be sinister in nature) was used to craft an improvised play in which the shadowy dealings of this organization are discovered.
The View-Master of Providence
In materials promoting this show, the Institution Theater's logo of a View-Master was incorporated into the Eye of Providence, a common Masonic symbol and one often associated with the Illuminati.
The View-Master of Providence, designed by Brad Hawkins
Media
Videos
- Video of the 4/4/2014 performance.
- Video of the 4/11/2014 performance.
- Video of the 4/18/2014 performance.
- Video of the 4/25/2014 performance.
- Video of the 5/2/2014 performance.
- Video of the 5/9/2014 performance.
Links
Cast photos taken by Roy Moore
