Difference between revisions of "Wanderlust"

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== Media ==
== Media ==
=== Videos ===
=== Videos ===
* [https://vimeo.com/115893524 Video] by [[Peter Rogers]] of the 1/3/15 premiere.
* [http://vimeo.com/115893524 Video] by [[Peter Rogers]] of the 1/3/15 premiere.
**Corresponding playlist used by substitute tech [[Lindsey McGowen]] can be found [http://eilanora.livejournal.com/11890.html here].  
** Corresponding playlist used by substitute tech [[Lindsey McGowen]] can be found [http://eilanora.livejournal.com/11890.html here].
* [http://vimeo.com/117755059 Video] of the 1/24/15 show.
* [http://vimeo.com/118672454 Video] of the 1/31/15 show.
* [http://vimeo.com/119088109 Video] of the 2/7/15 show.
* [http://vimeo.com/119759341 Video] of the 2/14/15 show.


=== Photos ===
=== Photos ===

Revision as of 17:14, 14 March 2015


Wanderlust was a mainstage at the Hideout Theatre. It depicted two people going on a journey.

Summary

The director's initial description of the show from the audition announcement:

With Wanderlust, I want to take a grounded two-person show and display it in a performance that conveys the visually stunning experience of going on a journey. The duo is supported by an ensemble of 8-10 people and they will serve as the connection between emotion and environment. Imagine a library scene where our two focus characters are having a conversation. The ensemble will fill the world as librarians, people reading, people on the computer, etc (they will not be stealing focus). Let's say the duo begins to fight. The ensemble, within their movements, begin to become more agitated and harsh. The tone of the scene becomes more hostile, the duo partners yell at each other until one person says that final line and the duo falls quiet. The environment, which has now become a raging hysteria, returns to its normal state.

Or perhaps the theme of one of the protagonists is that they feel ignored. The ensemble can mirror that nonverbally by knocking into him/her as they pass, perhaps even swallowing him/her up by the end of the scene as the character struggles to obtain his partner's attention.

Or perhaps a moment of reflection is highlighted by a collective breath and subsequent sigh. A scene in the dark is accompanied by the ensemble's creation of a soundscape of nature sounds. Perhaps in one scene we dive into the subconscious of one of the protagonists' minds.

We are not just witnessing a physical trip, but an emotional trek that is heartfelt, funny, and visually compelling. There will be lots of fluid and visually dynamic movement. The show will not be formulaic, but throughout the rehearsal process we will develop a common language of ways to nonverbally reflect and heighten the emotional journey of the protagonists. The sky is the limit. Through re-explaining the show multiple times to curious improvisers, the ideas are just pouring in.

Yes the show will be heartfelt.

Yes the show will be funny.

Yes the show will be challenging.

Media

Videos

Photos

More Information